Jules Carlito Beurrier-Loncan’s practice unfolds across installation, writing, performance, and sound, bringing together multiple forms of expression to create immersive and sensory environments. His work explores questions of memory, identity, embodiment, and cultural inheritance, where image, text, sound, and space become interconnected elements of a broader artistic language.
Drawing from a personal history shaped by multiple cultural inheritances, Beurrier-Loncan examines experiences of displacement, belonging, and sensory alienation within suburban and peripheral spaces. His work reflects on the ways in which the body, the home, and heritage are negotiated, fragmented, and reimagined through lived experience and collective memory.
Sound and music occupy a central role in his practice. Informed by classical training, improvised traditions, jazz, and African musical histories, he investigates the relationship between structure and freedom, drawing connections between composers such as Olivier Messiaen and contemporary musical practices. Through sound, he extends his visual research into immersive experiences that engage both physical and emotional perception.
Under the name LONCAN, Beurrier-Loncan composes musical works situated between classical composition and ambient sound. These compositions function as integral elements within his installation practice, creating environments where sound, text, image, and spatial experience converge.