Annalee Davis participates in the 61st International Art Exhibition of Venice Biennale: In Minor Keys, in full accordance with the curatorial vision of the late Koyo Kouoh
Forthcoming event
Overview
Venice, Italy
The Venice Biennale 2026, In Minor Keys by Koyo Kouoh will run from Saturday 9 May to Sunday 22 November 2026 at the Giardini, the Arsenale and in various locations around Venice. The pre-opening will take place on May 6, 7, and 8, while the awards ceremony and inauguration will be held on Saturday, May 9, 2026.
After the premature passing of Koyo Kouoh in May 2025, with the full support of her family, La Biennale di Venezia decided to carry out her Exhibition, with the purpose of preserving, enhancing and widely disseminating her ideas and the work she pursued with such dedication to the very end. Koyo Kouoh, nominated as the Artistic Director of the Visual Arts Department in November 2024, already developed the curatorial project, defining its theoretical framework, selecting the artists and the artworks, designating the authors of the catalogue, determining the graphic identity of the Exhibition and the architecture of the exhibition spaces, and establishing a dialogue with the artists invited to participate.
In Minor Keys is the title chosen by Koyo Kouoh for the 61st International Art Exhibition, as specified in the curatorial text, which was sent to the President of La Biennale on 8 April 2025. The Exhibition will be realised with the contribution of the team selected by Koyo: Gabe Beckhurst Feijoo, Marie Hélène Pereira and Rasha Salti (advisors); Siddhartha Mitter (editor-in-chief); and Rory Tsapayi (research assistant).
The 111 invited participants of this exhibition – among them, individual artists, collaborative duos, collectives, and artist-led organisations – hail from many geographies and regions selected by Koyo Kouoh with particular attention to resonances, affinity, and and possible convergences between practices, even when far apart. In looking to artists working in Salvador, Dakar, San Juan, Beirut, Paris, or Nashville, for example, Koyo sought to envision how their ingenuity, breadth of material experimentation, and visionary ideas bear connections to other artists and movements in simultaneity. In this spirit, In Minor Keys expands upon Koyo’s relational geography of encounters with artists over her lifetime.
The 111 invited participants of this exhibition – among them, individual artists, collaborative duos, collectives, and artist-led organisations – hail from many geographies and regions selected by Koyo Kouoh with particular attention to resonances, affinity, and and possible convergences between practices, even when far apart. In looking to artists working in Salvador, Dakar, San Juan, Beirut, Paris, or Nashville, for example, Koyo sought to envision how their ingenuity, breadth of material experimentation, and visionary ideas bear connections to other artists and movements in simultaneity. In this spirit, In Minor Keys expands upon Koyo’s relational geography of encounters with artists over her lifetime.
