Cole Sternberg
Cole Sternberg (b. 1979, Virginia, USA) is a Los Angeles–based conceptual artist whose multifaceted practice spans painting, sculpture, installation, performance, photography, film, and writing. His work examines humanity’s existential paradox: the impulse to create permanence in the face of the unyielding forces of nature and time. Sternberg’s projects explore thresholds of perception, erasure, and disruption, employing layered surfaces, poetic text, temporal interruption, and environmental processes to interrogate human systems and ideals.
Andy Medina
Andy Medina (b. 1993, Oaxaca City, Mexico) is a multidisciplinary artist and curator whose practice investigates language, signs, and visual systems as tools through which power, identity, and socio-political narratives are produced and interrogated. Working across painting, installation, object, and video, Medina engages with semiotics, vernacular symbols, and visual languages, exploring the balance, tension, and fragility inherent in communication. His work often draws attention to Indigenous languages and knowledge systems, particularly Zapotec, Mixe, and Mixtec, and extends into public interventions and community-focused projects.
Cole Sternberg (b. 1979, Virginia, USA) is a Los Angeles–based conceptual artist whose multifaceted practice spans painting, sculpture, installation, performance, photography, film, and writing. His work examines humanity’s existential paradox: the impulse to create permanence in the face of the unyielding forces of nature and time. Sternberg’s projects explore thresholds of perception, erasure, and disruption, employing layered surfaces, poetic text, temporal interruption, and environmental processes to interrogate human systems and ideals.
Andy Medina
Andy Medina (b. 1993, Oaxaca City, Mexico) is a multidisciplinary artist and curator whose practice investigates language, signs, and visual systems as tools through which power, identity, and socio-political narratives are produced and interrogated. Working across painting, installation, object, and video, Medina engages with semiotics, vernacular symbols, and visual languages, exploring the balance, tension, and fragility inherent in communication. His work often draws attention to Indigenous languages and knowledge systems, particularly Zapotec, Mixe, and Mixtec, and extends into public interventions and community-focused projects.